Jan/102
(Lack of) Organization
I think I’m in need of an intervention. I went through all of my CDs this weekend. Not a single disc matched the case that it was in.
Josh Groban was in Jo Ann Castle. The Chieftains lived with Dave Matthews. Scott Joplin lay with John Williams. Bon Jovi was stuffed inside Michael Jackson. Honest to God it looked like someone had deliberately gone through my stuff and messed it up to screw with me but, no, this is my natural state. When it comes to organization I am, as the French say, a hot mess.
They say opposites attract, which is why I’m friends with Bryan Wright. His CD collection is alphabetized, prioritized, cataloged, categorized, displayed, diagrammed, digitized, duplicated, researched, registered on the list of Historic Landmarks, and indexed by Google. He can find any CD, record, recording, research paper, picture, piano roll, or page of information in a manner of seconds and tell you exactly what it is, where he got it, why he owns it, how much it’s worth, who collects it, and which needle to use on his record player to play it. He’s like RoboCop with a spreadsheet. He might as well have x-ray vision, because being that organized seems like a superpower to me.
I don’t know why I’m so afflicted. I don’t come from messy people. I clean up well, when I dedicate myself to it, but inevitably it’s going to plunge into disarray again because the behavior that causes the calamity, my je ne sais quois, is hard to change.
Aug/094
The Red Elephant Rag

The extent of my drawing skills...
I’ve been composing music since I was 12.
In all that time, the only person who ever performed my music was me. This is logical for two reasons: 1) I never wrote anything down, and 2) Nothing I wrote was any good.
I had this secret fantasy that one day another musician would hear a piece of mine and go, “You know what, I absolutely have to learn that. You have to write that down for me.” And then I would get to hear them perform my music. My music! And I wouldn’t even be playing it! I imagined them strutting up to the stage and introducing the latest work by Martin Spitznagel, who was of course a very serious and well-known composer because why in the world would they be telling the audience my name if they didn’t expect them to all nod their heads and go, “Ooh, that is a very real person”?
After all, I spent a large part of my day learning the music of other people. It seemed like every other composer had that thrill except for me. What, I wondered, would it be like to hear someone else interpret the very notes that my muse dreamed up? What would it feel like? What would go through my head?
Well, I have to wonder no longer, because I have awesome friends:
And the only thing I have going through my head right now?
“OMG OMG OMG”
Thanks, Bryan. This was totally worth the wait

